The answer is:Vengeance Producer Suite. It really does describe this all-in-one type of synth from Vengeance-Sound. I think of it as a collection of tools within one plugin that has nearly anything I would ever want to synthesize and shape a sound. Avenger is collaboration between Vengeance-Sound and Keilwerth Audio. It is a challenge to try and sum up what is included in Avenger, but here is my attempt: Nearly wavetables, thousands of waveforms, hundreds of resampler and other special samples, powerful routing, sample import functionality, 47 filter types, drag-and-drop modulation, a vectorized re-sizable GUI, multiple arps and step sequencers, sixteen sub-outs, and over presets.
There is much more to it than that, but that should whet your appetite for more. I will try to touch on the more important parts of VPS Avenger in this review. Installation is simple — it just uses a key-file that must be downloaded from their website. You can install it on up to three computers at once.
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Avenger is bit only, so it will require a bit DAW. In Avenger you can use up to eight oscillators at once. This area of the display shares the space with the drums that are built-in to Avenger more on that subject later. Clicking either the Oscillator or Drums tab will switch between them. As you add more oscs, it may get a little confusing as to which one is which. One good point to make for this type of design is that it packs a lot of power into a smaller space. Also, you can rename the tabs to whatever you want to keep things organized.
Near the top of the display is an additional control bar that lets you cut the low or high frequencies for the oscillator by dragging either end of the bar to the left or right.
When you first add an oscillator, it has its own set of controls along its perimeter. Turning that ring to the left will add a random amount of fine detuning which could for example be used for an analog type of preset. The amount of these two types of detuning depends on far you turn the inner ring to the left or right.
The Noise control has three stereo width settings and its inner ring lets you smoothly blend between white, pink or brown noise. It also has a bit rate reducer you can adjust.
Along the bottom of the oscillator section are the FM and AM controls. Each of these has twelve different waveforms that can be chosen for the modulator. The rate can be set normally or it can be set using one of the seven other presets which use certain intervals.
Over on the right side, there are a few more controls. It has four different sync settings available, and an inner ring on the sync control will let you add an envelope for the sync. It can either ramp up or down depending on if it is turned to the left or right. I thought this was a very useful addition.
Clicking the waveform name above its display brings up a menu from which you can select other waveforms and types of functionality. You can even draw your own waveform with the Freeform setting, or use the Sample Stacker mode which can stack up to four multi-samples per oscillator.
There are several controls to make adjustments in the FFT editor.Forgot your password? By Russ Loeffler January 14, It is a complete and user-friendly plug-in synthesizer with accompanying Avenger plug-ins available for purchase. The GUI is designed to work with 4K monitors and getting the display size and resolution is important.Baba na mtoto xxx bongo
This short, 2 minute video will ensure that you are starting with the best display for your DAW. You will want to learn the layout and the controls for the synthesizer, but nothing beats the instant gratification of uploading some great presets. Fortunately, the hierarchy for file presets is simple and intuitive.
The preset browser has three levels and the format is common for all expansion packs. Note: Some expansion packs do not include all of these categories or they may include categories not found in the Factory bank.
As you can see just from the summary of the synthesizer layout, you can dig very, very deep into developing, editing, and storing you own presets. This may seem intimidating, but the video editorials are broken down by synthesizer area or section. So, you can master one at a time. If you want to move beyond the factory presets, the time invested to learn the various sections of the synthesizer will be well worth it.
Once you have mastered VPS Avenger, there are almost 30 expansion packs available for purchase. Each expansion pack provides more than presets, new drumkits, sequences, wavetables and more.
The extensive offerings of expansion packs will allow you to curate your library of sounds to your preferences. Bundled packages of 5 expansion packs are available for a great value. That is a lofty claim, but they may be right. This synthesizer is loaded with very professional sounding presets and the expansion packs provide a huge library of sounds. Avenger has an incredible quantity of features and controls providing the ability to perform very deep editing. Despite the vast features and content, the layout is very logical and intuitive which allows you to be creative.
A bonus is the library of video tutorials which will have you editing like a pro. There are no comments to display. Show all categories. Contact Us Feedback Existing user? Keyboards and Pianos Search In. Go to reviews. Recommended Comments.
Sign In Sign Up.Buy and get FREE. Meet our new alpha and omega of synthesis: Vengeance Producer Suite Avenger is here!Vengeance Producer Suite - Avenger - Synthwave Expansion Demo
The most versatile and best sounding synth you will ever encounter. There is nothing VPS Avenger can't do, it offers you tons of features and a gigantic growing library from some of the best sound designers on this planet.
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Plugin Boutique do not have nor do they claim any association with or endorsement by these brands. Any goodwill attached to those brands rest with the brand owner. Plugin Boutique or its Suppliers do not accept any liability in relation to the content of the product or the accuracy of the description. Veteran German developer looks to make its mark on the world of synthesis Vengeance-Sound's first ever virtual synth is nothing if not There is almost no limit in Avenger.
You can be sure to hear Avenger's sounds soon in many professional music productions all around the globe. VPS Avenger is quite unlike any other synth out there. Call it a game changer if you like — I prefer to think of it as the most powerful and elegant solution for creating hit records there is. Music technology news, reviews, interviews and tutorials. Smoothens the modulation, giving it inertia for wha wha etc Wavetables can be morphed seamleassy and have their own powerful editor and morphing envelopes.
Furthermore, each drum-kit has its own Drum Sequencer pattern. You can Change the Kits or the Pattern seperately, which gives you endless combinations. Pitch, spread, reverse these grains, play forward, backward or in whatever speed or direction your want by using our internal powerful granular envelope. Insane and unlimited possibilities - and a lot of fun!
PC: Intel Core 2. Also available in this bundle hot! More by Vengeance Sound top rated osx pc. Phalanx Expansion 4: Phalanx Trance Vol. Phalanx Expansion 3: Phalanx Trap Vol. Multiband Sidechain3 Compressor by Vengeance Sound.Buy and get FREE. Meet our new alpha and omega of synthesis: Vengeance Producer Suite Avenger is here!Mean birthday wishes
The most versatile and best sounding synth you will ever encounter. There is nothing VPS Avenger can't do, it offers you tons of features and a gigantic growing library from some of the best sound designers on this planet. Plugin Boutique do not have nor do they claim any association with or endorsement by these brands. Any goodwill attached to those brands rest with the brand owner.
Plugin Boutique or its Suppliers do not accept any liability in relation to the content of the product or the accuracy of the description. Veteran German developer looks to make its mark on the world of synthesis Vengeance-Sound's first ever virtual synth is nothing if not Call it a game changer if you like — I prefer to think of it as the most powerful and elegant solution for creating hit records there is.
Music technology news, reviews, interviews and tutorials. VPS Avenger is quite unlike any other synth out there. There is almost no limit in Avenger. You can be sure to hear Avenger's sounds soon in many professional music productions all around the globe. Smoothens the modulation, giving it inertia for wha wha etc Wavetables can be morphed seamleassy and have their own powerful editor and morphing envelopes.
Furthermore, each drum-kit has its own Drum Sequencer pattern. You can Change the Kits or the Pattern seperately, which gives you endless combinations. Pitch, spread, reverse these grains, play forward, backward or in whatever speed or direction your want by using our internal powerful granular envelope.
Insane and unlimited possibilities - and a lot of fun! PC: Intel Core 2. Also available in this bundle hot! More by Vengeance Sound osx pc. You may also like hot!
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Vengeance-Sound VPS Avenger review
Help Contact Support About Us.Meet the new alpha and omega of synthesis: Vengeance Producer Suite Avenger is here! The most versatile and best sounding synth you will ever encounter. Spire is a software polyphonic synthesizer that combines powerful sound engine modulation and flexible architecture, a graphical interface provides unparalleled usability.Report illegal renting house
Spire is the embodiment of the best opportunities, within software and hardware synthesizers. With the affordance of the power of modern computer processors, many software synthesizers have become progressively more complex and difficult to use.
The aim of Circle is to step aside from this path, and to instead focus on placing flow and intuitiveness at the core of the music making process. Factory is your safari ticket to the wilderness of sound. Bearded basslines go fishing for diamonds in a lake full of frogs. Crank the crossfader to morph from a tricky beat to some mellow chords. Sunrizer is built upon a familiar subtractive synth design — but with a distinct character and a host of unique features.
Hive was made to be fast and simple. The streamlined single screen UI lets you dive into sound creation immediately. A fluid workflow invites you to tweak away until your sound is just right or wrong in just the right way.
Carbon Electra is a powerful and intuitive synth built by producers, for producers. It has been developed as an advanced learning tool whilst also being a powerful and easy to program synth. Loom is an award-winning modular additive synthesizer with a shape-shifting Morph Pad that makes it easy to create rich, swirling, and captivating sounds.
Loom takes a unique modular approach to additive synthesis, a synthesis technique that involves combining simple waveforms together to create complex sounds, by allowing anyone to select from and combine 30 editable modules.
Vengeance Avenger 1. The Vengeance Avenger is a versatile synth application for creating stunning music. It is a professional solution for the musicians who want to get the best sounding synth. It is widely used around the globe and provides a reliable solution with an ultimate level of performances. With a friendly user interface and a variety of customizations, it has become one of the best synth applications. The users can take complete advantage of the file browser to import sounds as well as use a variety of effects to produce amazing sounds.
It provides a powerful set of tools for Oscillator along with a wide range of controls to customize the music according to the needs. A variety of sequencers and Modulation Matrix are there as well as different editor enhances the functionality of the application.Bosch ecu pinouts
Built in filter, shaper, and modulation features enhance the music making a workflow. There are over kits, drum sequences and a variety of other powerful tools to make it the best music generation tools.
We'll assume you're ok with this, but you can opt-out if you wish. Accept Read More.Totally inspiring, utterly absorbing, ridiculously versatile and sounding phenomenal, VPS Avenger is quite unlike any other synth out there. Coded - like all its stablemates - by Keilwerth Audio, it unites analogue, sample-based and wavetable synthesis in an immense workstation-style architecture, packed with sequencers, filters, effects and modulation.
Avenger's vector-based and resizable GUI is unfussy in its layout.Mql4 div
On the left are the file browser and Effects section; in the middle are the Oscillator section and a tabbed page containing various editors, sequencers and modulation controls; and on the right are the Filter, Amp and Shaper sections, and the Modulation Matrix.
As with any synth, the action starts in Avenger's Oscillator section, where up to eight - yes, eight - source signal generators are loaded. As well as those, Avenger also features a full-on drum machine section. The preset drum library contains over full kits, each with an accompanying sequence, although kits and patterns are mix-and-matchable, too, and you can drag your own samples in. The kit can be played by the Drum Sequencer when a MIDI note is received, or unhooked from the Sequencer for triggering via a keyboard or pads.
The Drum Sequencer is simple but effective. Click notes in with the pencil tool, select them with the marquee tool and adjust the Velocity, Pan, Pitch and Gate time of the selected notes using the so-named knobs. Velocity can also be edited by dragging the stalks under each note, and rolls of up to eight hits can be specified for individual notes.
Clicking a waveform reveals that sample and its editing controls in the main Editor. Adjustable parameters include Volume, Pitch, Pan and Spike, the last for boosting transients and also included in Avenger's main Amp module. Additionally, the triggering can be offset in either direction, for effortless 'smearing' of claps and snares - a welcome feature that's all too rare in drum machines. Avenger's Drum module is great fun and a worthy inclusion. It's just a shame each channel can only load samples, not synth oscillators - although we're told this is planned for an update.
Rather than simply merging the oscillators into a composite tone in the mixer, as other synths do, Avenger treats each one as a wholly discrete sound source, to be triggered and mixed with others in the traditional way if desired, or sent off down its own path as the basis of a self-contained and separately sequenced 'instrument'. One oscillator could supply a bassline, while the next two blast out a lead, the next three a pad. The Oscillator Route panel sets the course of the currently selected oscillator's output signal, passing it through your choice of the potentially many active filters, amps, pitch envelopes, arpeggiators, trancegates, effects racks, etc all the way to final output block.
Thus, one oscillator could supply a bassline, while the next two blast out a lead, the next three a pad and so on, each 'instrument' triggered by its own arpeggiator, processed through its own effects, and modulated by its own step sequencer, envelopes and LFOs - and all at the press of a single note on your keyboard! Indeed, with that in mind, the oscillators can even be renamed. When it comes to modulation, Avenger is possibly the most well-equipped synth we've ever met.
Needless to say, the list of targets is even more extensive, covering - we think - every parameter of the instrument, from the oscillators and filters to the arpeggiators and effects.
Up to modulation assignments are made by dragging sources onto targets or selecting both in the Mod Matrix, while amounts are set by dragging the tiny triangles that appear next to modulated parameters or the sliders in the Mod Matrix. Assignments are grouped by mod source in the Matrix and collapsible to reduce clutter, so you can switch any source out to change all of its assignments at once. The modulators themselves are all well up to scratch.
Vengeance Sound VPS Avenger Synth
You can insert Gain blocks wherever you like in the signal path for volume adjustment, the Shaper a superb waveshaping distortion module is freely positionable, and multiple filter blocks in a Route can be arranged in any order. Other than that, the path is fixed - you can't place the Pitch Envelope after the effects, say. Each module can be bypassed, though, or removed entirely ie, returned to the module selection menu at the top of the panel.
Setting up the signal flow like this feels quite unusual, but it means each oscillator or a group of them can effectively serve as a self-contained 'synth within a synth'.
The flow of each oscillator is represented throughout the interface by colour-coded bars at the top of each module - green for Osc 1, pink for Osc 2, etc. With so many of each module type possibly visible at once, this is extremely helpful.
You can also right-click any block in the Route list to locate its module in the interface via a nifty animation. Clicking the menu above the oscillator waveform display brings up an enormous categorised list of sonic starting points.
You get the analogue staples, naturally - Saw, Square, Triangle, Sine and noise waves - but beyond those lies a veritable sweet shop of single-cycle waveshapes, samples up to four of which can be stacked in a single oscillator and wavetables. There are somewhere in the region of waves, wavetables and well over samples, providing an almost overwhelming 5GB library of oscillator fuel in every conceivable category.
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