The sequence of Ikoflexes is complex, with serial numbers in irrational order and repeated for different cameras. The table below the thumbnails and descriptions shows how it works.
A copy can be found here. At the bottom of the page is an article on the late Ikoflexes published in Photoguide magazine UK in October Click on the small "thumbnail" pictures below to go to larger ones.
First camera to have an exposure meter, first with chrome finish. One of very few 35mm TLR cameras, and very unusual in having interchangeable taking lenses.
Heavy and not very successful, due partly to costing the same as a small car! Taking lens shown is 50mm f1. The camera has a fixed viewing lens, with different frames in the waist-level finder for different lenses. Lens swap is fairly easy, although a little stiff on this camera. Incidentally, the camera is also the first one with an Albada mirored glass sports finder. Taking lens shown is mm f1. The unusual early feature of this camera - shared by only one or two other early TLRs - is that the or film travels horizontally, with the wind lever below the object lens.
Its distinguishing feature is the shallow "Mexican pyramid" style of the lid, which chimes well with its overall Art Deco appearance. Taking lens is Novar 80mm f4. This model is much more common than the first. This early and basic one has a Novar lens. Lever focus on right side changed to knob from Taking lens is Triotar 75mm f3. Crank advance and shutter cocking.
Huge mirrored Albada sport finder on hood. Grey leathercloth finish. Taking lens is Tessar 80mm f2. Made until under different managements. Body design changed, but carcass did not. Taking lens is Novar 75mm f3. Speed and aperture are shown in two peepholes bracketing the taking lens. Taking lens is Tessar 75mm f3. Exposure meter. Black nameplate, silver letters.
Retains top-mounted shutter push-button. Similar looks, but folding side shutter release.I have to admit I paid a way much for my little Ikoflex, which is in good but not great condition. I paid extra for the coated Tessar lens, the working and fairly accurate exposure meter and the nice case which now needs some restiching ahem. It does take very nice pictures. Three element Teronar viewing lens. Large bright ground glass. Automatic exposure counter and locking double-exposure preventer.
No accidental double exposures with this baby. Even used Rolleicords the lower end are more popular with users and collectors even though the Ikoflexes except the III, I hear are nice cameras. I like the Ikoflex quite a bit — my only complaints would be the left-side focus knob I catch myself trying to focus with the wind knoband the tricky film loading sequence which requires some practice to get right.
I went back to this one after having acquired some experience with repair and immediately noticed that there was fungus on the taking lens. Being bolder now, I began taking it apart. The front lens elements unscrew as one piece, then you flip it over and unscrew the back with a small spanner.
Zeiss Ikon Ikoflex review
The fungus was inside between the elements of course. Frankly, cleaning the lens elements was much easier than getting them apart. I noticed that the viewing lens had a fingerprint on the inside hmmm…. When I realized the viewfinder assembly is only held on by three small screws I removed it, cleaned up both sides of the viewscreen and the mirror with vodka, dusted the interior and retightened the loose mirror clamps.
Cleaned the leather with Lexol note: the back door is not leather but metal with the same texture as the leatherand the oxidized metal with Flitz. I also went over all the leather with black shoe polish on a Q-tip and touched up the black paint with a Testors Enamel Paint Marker gloss black.
Now it looks good enough to take out in public! Now, there is no battery in mine and my meter works, so I think there may have been some model year variation, with older models having selenium photocells and later models having CdS meters. The loading of film in conjunction with resetting the automatic exposure counter is rather tricky. Consult the manual if you can find it, read it through a few times, then practice with a scrap roll.
Do it twice. Shoot with the VXM setting on X. V is self-timer, not so much working in my case, M is for bulbs. X is for instant and includes flash sync. Besides, my case has just a hand-strap!This is the early version art-deco camera, with a geometric pattern on the top cover which was introduced in and only produced until about April of the following year. After that, production switched to a simplified plain top. This plainer second version was produced until and is much easier to find.
This camera was produced by Zeiss-Ikon in Dresden, Germany. It uses normal roll film but if desired it can just as easily use film because the camera was designed to work with both film types. The camera still has its original viewfinder mirror. The mirror has some age-related marks but this has no effect on the viewfinder image which is clean and clear. Focus and manual settings work as they should. The shutter has been carefully cleaned, lubricated and adjusted.
This camera is fitted with a 4. The glass is in excellent condition. This Zeiss lens has an excellent reputation in Europe for its rendition, attractive bokeh and its soft smooth backgrounds.
As with all prewar lenses, we recommend keeping the sun behind you for best performance. All in all, a very attractive, hard to find camera. Log in. Cart 0. Menu Cart 0. Ready for immediate use! Share 0 Tweet 0 Pin it 0. More from this Category. Custom Petrakla Contax body cap, one grey or black, Free shipping!When it comes to twin lens reflex or TLR cameras, most shooters would think of the iconic Rollei and Lubitel cameras.
Little do some people know, there is also another player in the TLR scene. They're just known for being great TLRs but the Ikoflex cameras aren't slouches. As a matter of fact, they boast great build quality and notable image sharpness.
When equipped with Tessar lenses. Ikoflex TLRs offer some of the sharpest images. Ikoflex cameras are particularly good when it comes to shooting photographs using a tripod. Stills, portraits, and landscapes can be captured with ease and with great effect. There's a little bit of a learning curve when using Ikoflex TLRs but it's actually a good thing.
Users can learn a lot about photography fundamentals with the camera's different control settings and placements. One standout version of the Ikoflex is the IIa. That and the capability to use modern strobe flashes make it a desirable piece of photographic gear.
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No funny business, just a whole heap of Lomography love right to your inbox. Please login to like. No Comments.First introduced in as the Ikoflex I also known as the coffee can model, as it was designed like the German army coffee cans it stood in firm competition to the Rolleiflex.
The model names of the Ikoflex are really complicated model names and numbers were reused frequently. I came to the Ikoflex when I was looking for a medium format camera. My brother-in-law has an Ikoflex and I was able to test it with a film. I soon decided that a TLR camera was just what I needed for some street photography and started looking for one on eBay. It was pretty battered but it worked fine.Microscopic formulation of the zimm
So, off I went to shooting with the new camera. The Zeiss Ikon Ikoflex is a marvelous piece of German engineering. Some people even think it to be better than the Rolleiflex in terms of build quality.Q see wiring diagram
In the case of the Ikoflex it made sure, that the camera could not be copied. It is equipped with a Novar Anastigmat 75mm, f3. It can only take roll film so only 12 shots per rollhas a winding knob for advancing the film on the right side and the focus knob on the left side.
The shutter is cocked by another lever next to the lens, around which the aperture and the shutter speed can be set. This is something I needed to get used to, as it means, that I have to set everything and then frame and focus. A short checking of the settings is not possible without turning the camera away from what you want to photograph.
This is probably the biggest thing I needed to get used to, as I had to adjust my workflow and only cock the shutter right before taking a picture sometimes I had forgotten to cock it and the situation flowed away in time.
The camera is fully manual, so I either use an external lightmeter or the Sunny 16 rule. The viewfinder opens with a small lever on the back, which can be a little bit of a fumble. The four metal sheets fold up which is not as easy as with the Yashica Mat for example where you just lift up the top cover. The viewfinder is very bright, there is a magnifying glass in the top cover for close-up focusing.Pdf images not showing in preview
Focusing itself is smooth with the focus knob on the left side, which felt very natural to me. The shutter release button is on the top side and lies in the right position for my hands.
I really like that and it makes the camera very suitable for street photography in my opinion.This page is no longer actively maintained. I would have probably never bothered with this camera if I hadn't inherited it from an uncle. If you've read some of my other TLR twin lens reflex articles, you'll know that I'm not a big fan of TLRs, mainly because of their impossible viewfinder system with the reversed image and their fairly limited system possibilities.
But that's just my taste in cameras. Other photographers have learned to love the viewfinder system and the all-in-one functionality, and why let my personal preferences get in the way of a good review?
I don't know a lot about Zeiss, and especially not about the Ikoflex, so I'm going to keep this section short and not pretend to know things I don't. You can find the complete story at numerous other web sources; see the links at the bottom of this page. Zeiss Ikon made the Ikoflex series of TLRs between the early 's till the late 's in various models and classes.
If you look at the shared features of the Rolleicords and the Ikoflex IIa, their functional similarity is obvious. The Rolleicord didn't have a self timer; neither did the IIa.
The Rolleicord had knob wind instead of the Rolleiflex's crank; so did the IIa. The Rolleicord didn't have a self-cocking shutter, neither did the IIa. And so on. If I owned a Rolleicord I'd put the cameras back to back and organise a shootout, but since I don't, I'm going to have to drop further investigation.
Lomopedia: Zeiss Ikon Ikoflex
Pity for Zeiss, but they never really succeeded in pushing Rollei off the market. And that's by a long shot. I blame it on Zeiss not getting all the details as right as professional photographers wanted them to be, but for the casual user, that shouldn't be a deal breaker. If you take the Ikoflex IIa in your hands, you notice that it's fairly small. It beats my Yashica in terms of width, height and length. When put next to a Lubitel-2both have appproximately the same length and width, but the IIa is much taller.
For 35mm you'd call this a big camera, but for 6x6 it's definitely small. That means it's very portable, and if you have an ever-ready case for it, you can wear it around your neck reporter-style without problem.
If you become familiar with the IIa, you'll notice that it's a somewhat unimaginative camera. Oh, it's built like a tank and its quality is out of the question, but the design, the controls, the enormous strips of leatherette, they all make this camera sort of boring.
Look at the focusing knob for instance. It's just a big flat round knob with knurled edges, a focusing range, a screw in the middle, and lots of leatherette. Oh, it's a very good boring knob, one of the best boring knobs I've ever seen, but it's totally uninspiring and nothing more than purely functional.
That goes for all of the knobs, for the lens assembly, and for the whole camera for that matter. This camera was designed by a structural engineer behind a drawing board who had more eye for function than for flair.Avenger synths
Some niceties were thrown in here and there to make it more palatable; for instance the Zeiss Ikon symbol on the viewfinder hood or the decidedly strange U-shaped rim around the taking lens, but it's all not as persuasive as the stylish design of the Rolleicord. This camera is very well built.
Everything is metal, the finishing is excellent, and you can feel that it was put together by skilled technicians. But is it rugged? Probably it is, but the black paint and the simplistic design don't betray it.
This is a camera that screams "caring amateur use".
ZEISS IKON IKOFLEX 1c Instruction Book
This in contrast to the Rolleicords, that always had an image of being very tough.Lever focus at bottom front of the camera. Early models have an art deco hood, while the later models are covered with leather. Lenses are Novar 4. The camera underwent some minor changes in it's reincarnation. The nameplate is now black, with a small chrome rectangle in the middle, which contains the name in black letters. Does not have a folding shutter release.
Above is an original felt covered box. To the right is an early version of the 1a with a flat painted nameplate, the far right is the later style camera. The meter needle is visable on the ground glass The meter is behind a flip up door on the front of the viewing hood, causing the name to be moved above the taking lens.
Above left is the meter scale on the ground glass. Photo above right shows the meter cover in the open position. Early models have a focus lever on the side, replaced in with a knob.TLR Twin Lens Reflex Medium Format Cameras
Identified by the chrome nameplate with black word "Ikoflex" on it. Pictured at right is an early lever focus Ikoflex II. It is similar to the Ikoflex II, but the housing no longer surrounds both lenses, instead it surrounds only the taking lens and about the bottom third of the vieing lens.
The shutter speed and aperture settings are read through windows on either side of the lens. The nameplate is flat, finished in black with a silver rectangle in the middle with the Ikoflex name in black letters.
The nameplate has a painted silver border. The lens was a Tessar lens in Compur-Rapid shutter. In this camera was remodeled without change to name or number.
The controls for the shutter speeds and aperture are two large wheels sticking out from the sides of the lens set. The nameplate is "Ikoflex" in silver on a black background, surrounded by a raised silver rim. Flash synch was added, the shutter becomes Synchro-Compur.
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